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As all players plan their separate revenge (and Jeong the financial killing of her career), events come to a head during a showdown between Goni and A-gui. Situation gets even more complicated when, back in Seoul, Go-ni - to Madam Jeong’s dismay - becomes involved with pretty Hwa-ran (Lee Su-gyeong), who owns a small bar with her sister, Se-ran (Kim Jeong-ran). When Pyeong is suddenly killed - by party unknown - Go-ni is left to sink or swim.
TAZZA THE HIGH ROLLERS STREAM PROFESSIONAL
After one look at Go-ni, Jeong decides to “make him mine” and within minutes they’re partners in more than business.īut Go-ni, the kid from the sticks, is now embroiled in a world of professional high rollers, which includes the psychotic A-gui (Kim Yun-seok), who has “unfinished business” with Pyeong, and smooth ganglord Kwak Cheol-yeong (Kim Eung-su), who’s still looking for payback from Go-ni after the latter made a pile from him earlier. He then takes him to Busan to meet the famous Madam Jeong (Kim Hye-su, from “Red Shoes”), a cool-as-a-cucumber “Flower of Gambling” who strips amateur punters of their cash without a second glance.
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Pyeong recognises in Go-ni the right combo of desperation and ruthlessness, and accepts him as a pupil. He spends six months trying to track down the guy who cheated him, and in the process meets Pyeong Gyeong-jang (Baek Yun-shik), a self-styled “best gambler in the land” who’s now retired. Through-character is 20-something Go-ni (Jo Seung-woo, from Im Kwon-taek’s “Low Life”), who loses all his savings in a game of hwatu, steals his sister’s alimony to try again and loses that as well.
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These “pros” are all people who coolly bet the bank (and their lives) on the turn of a card, literally and figuratively. “Tazza” - Korean slang for gamblers at the height of their powers - is based on a popular comicbook and is both more extreme in its characteriztion and populated by a larger cast.
TAZZA THE HIGH ROLLERS STREAM MOVIE
Choi’s “Swindle” was a clever caper movie focused on a relatively small number of protags and relying on a bold twist in its third act.